Saturday, 25 July 2009

OLD GANG SMELT MILL (No.2)

A view of this industrial heritage site which is located in the Yorkshire Dales. Arkengarthdale, North Yorkshire, England.

From no specific project as such, 2008.

Copyright of all images and work featured on this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

Friday, 24 July 2009

TIDE PATTERNS

A lone bird feather sits upon the sand and water, which has been patterned this way by the tide.
Cleethorpes, Lincolnshire, England.

From The Next Wave Project, 1996-98.

Copyright of all images and work depicted upon this blog spot is the exclusive property of Trevor David Betts. All rights reserved.

Sunday, 19 July 2009

1939 ISSUE

A still-life study, shot in the studio. Consisting of a loaned original 1939 issue Air Raid Precautions gas rattle with yellow tulips. Lit only by candle light.

From the Remembrance Series Project, 2000-01.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

PROJECTS: TRACES FROM ALONG THE EDGE

This project is a continuation and an expansion on The Next Wave project. About the East Coast of England. I have always being interested in the environment of the coast from an early age, taking holidays in locations such as Bridlington, Skegness and Withernsea.

The British seaside has seen many changes since it's conception during the industrial revolution and victorian era. The advent of the railways meant the coast was more accessible to the working class masses. Then with the explosion in cheap foreign travel and the budget airlines proved to be a potential nail in the coffin of the British seaside resort. However it would seem that there is a noticeable increase in people taking holidays in this country recently due to the global economic downturn.

This project concentrates upon locations as far North as Berwick-on-Tweed in Northumberland to Southend-on-sea in Essex. A large area of coast to cover actually, which includes Northumberland, Durham, Cleveland, North Yorkshire, East Yorkshire, Lincolnshire, Norfolk, Suffolk and Essex. It is a mixture of documentary, still-life and landscape, shot as usual in monochrome.

Locations visited thus far include: Lindisfarne, Bamburgh, Seahouses, Craster, Alnmouth, Redcar, Saltburn-by-the-Sea, Staithes, Sandsend, Robin Hood's Bay, Runswick, Skipsea, Scarborough, Whitby, Filey, Bridlington, Fraisthorpe, Hornsea, Kilnsea, Spurn Point, Cleethorpes, Donna Nook, Saltfleet, Anderby Creek, Mablethorpe, Gibraltar Point, Hunstanton, Brancaster, Wells-next-the Sea, Sheringham, Cromer, Overstrand, Sea Palling, Winterton-on-Sea, Great Yarmouth, Aldeburgh, Southwold, Dunwich, Orford, Felixstowe and many more.

It is intended that locations that are very rarely heard of, or featured in any projects are visited, documented and included in this project. Due to various reasons not to mention the sheer distance involved this project is a rolling one which will last for a number of years. At completion it is hoped to have an exhibition touring programme.

To date it has being very enjoyable and on the whole the weather has being very kind from a photography perspective. But there is still plenty more to do.

Thursday, 16 July 2009

REFLECTIONS

The late afternoon sun casts shadows from this wooden picket fence onto the water. Near Ollerton, Nottinghamshire, England.

From The Tree Stories Project, 2003-.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

Sunday, 12 July 2009

THE SPA

Plenty of shape, shadow and form in this image. Which features part of the exterior wall of the newly refurbished Spa Pavillion. Bridlington, East Yorkshire, England.

From the Traces from along the Edge Project, 2006-.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

Friday, 10 July 2009

FOOTBRIDGE TO THE DEEP

A early winter's evening shot of a footbridge that leads across the River Hull to the Deep subaquarium at Sammy's Point. Kingston upon Hull, East Yorkshire, England.

From a project about urban nocturnal photography, 2007-.

Copyright of all images and text displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

Sunday, 5 July 2009

EMPLACEMENT REMAINS

The heavy concrete and iron remains of a circa WWII gun emplacement now rest upon the beach (this is the central turntable that the gun turret rested on). Yet another victim of coastal erosion along the East Coast. Kilnsea, East Yorkshire, England.

From the Traces from along the Edge Project, 2006-.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

Saturday, 4 July 2009

DRYPOOL BRIDGE

An early winter's evening shot of one of the several bridges that span the River Hull. This one is Drypool Bridge. Kingston upon Hull, East Yorkshire, England.

From a project about nocturnal urban photography, 2007-.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

Friday, 3 July 2009

PROJECTS: THE REMEMBRANCE SERIES

This project came about back in 2000, after one of my tutors at Bradford College mentioned something in conversation about photographing "The flowers of Pachendale". So I started this project for the final assignment of my Higher National Diploma (Design) Photography course.

I placed an advert in the local media requesting the loan and use of certain items of war memorabilia. I had an excellent response and I was loaned: photographs, medals, the rear wheel of a spitfire, a gas rattle, helmet, ammunition boxes and many other useful items.

After doing detailed research into the history of specific species of flowers and their link with the act of remembrance. I constructed a wooden base for use as a sandpit. The relevant materials were purchased and I used the studio facilities at Hull Community Artworks (a local community arts resource centre).

After deciding upon and drawing up a list of flowers that I knew I could purchase locally. I set about photographing these selected flowers alongside the various loaned items in the sandpit. The sandpit was meant to represent the sands of beaches where allied troops landed, such as Normandy and Sicily etc.

I used the camera mounted on a tripod with two Courtenay brolly flash heads. The finished project then went on display at The Design Centre in Bradford, West Yorkshire, England. Other exhibition venues followed.

This project was very enjoyable and interesting to do and work upon. I learned a great deal about the link and symbolism between specific species of flowers and the act of remembrance. I also learned more about the practical side of studio photography.

TILES AND SHADOWS

A beach hut in the shape of a giant glass of gin and tonic, complete with hundred's of mirror tiles is depicted in this photo, complete with the shadow of a nearby wooden fence. Mablethorpe, Lincolnshire, England.

From the Traces from along the Edge Project, 2006-.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.