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COPYRIGHT NOTICE

No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Monday, 30 August 2010

A RIGHT MESS

Unsightly mess on two walls close to an underpass. Image from one of the assignments that I did for a National Diploma in Photography and Related Studies course.

Mount Pleasant, Kingston upon Hull, East Yorkshire, England.

From my Barriers Project, 1997-98.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts.  All rights reserved.
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Thursday, 26 August 2010

PUB WINDOW

An image from when I was doing the first of a series of City & Guilds evening courses after leaving the Army.  It's basically an early evening shot of a public house window.

The Olde Corn Exchange, Kingston upon Hull, East Yorkshire, England.

From a City & Guilds 9231 Photography course assignment, 1989.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts.  All rights reserved.
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Sunday, 22 August 2010

EAST YORKS AND CHEVRONS

This is another still life study set up in the studio.  Featuring white lillies, corporal's chevron's/stripes and two postcard type photos of the East Yorkshire Regiment in training and doing a route march near Beverley.  Apparently Victoria Barracks in Beverley was one of the Training Depot for recruits going to the trenches of the First World War.

Hull Community Artworks Studio, Kingston upon Hull, East Yorkshire, England.

From my Remembrance Series Project, 2000.

Copyright of images and work displayed upon this blog spot are the exclusive property of Trevor David Betts.  All rights reserved.
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Saturday, 21 August 2010

SPECIAL STILL LIFE

This still life was set up in the studio using a sand pit that I had constructed then you can see some Star Gazer Lillies. Also featured is a original issue WWII silk map and two photographs which feature the "Yelta Agreement Talks" between Rosevelt, Churchill and Stalin aboard The George V Battleship.  These items were kindly loaned to me (photographed and then returned to their original owners).

Hull Community Artworks Studio, Kingston upon Hull, East Yorkshire, England.

From my The Remembrance Series Project, 2000.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Friday, 20 August 2010

DUNES AND CLOUDS

Sand dunes and marriam grass with a cloudy summer sky.

Theddlethorpe, Lincolnshire, England.

From my Next Wave Project, 1996-97.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts.  All rights reserved.
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Thursday, 19 August 2010

POSTERS ON A WALL

These particular posters are pasted onto a wall of the main village Railway Station, that used to serve this Coastal location (in the centre of Juno Beach).  Also the early morning sun casts shadows of a nearby modern concrete bus shelter onto the poster strewn wall.  A sepia toned monochrome print.

St. Aubin sur-mer, Normandy, France.

From my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts.  All right reserved.
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Saturday, 14 August 2010

THE PEACE MUSEUM

A flight of steps are reflected in the mirrored wall.  Part of the exterior of the Peace Museum.

The Peace Museum, Caen, Normandy, France.

From my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Tuesday, 10 August 2010

POINTE DU HOC

A stone and granite memorial to the US 2nd Rangers who assualted and took this position on D-Day, 6th June 1944.

Pointe du hoc, Normandy, France.

From my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts.  All rights reserved.
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Monday, 9 August 2010

ICE CIRCLES

Ice patterns on the frozen River Ancholme in February this year.

The River Ancholme, South Ferriby, North Lincolnshire, England.

From no specific project as such, 2010.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts.  All rights reserved.
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Tuesday, 3 August 2010

FENCE POST

A sepia toned print of an image of a old weathered fence post.  With marriam grasses nearby.

Gibraltar Point National Nature Reserve, near Skegness, Lincolnshire, England.

From my The Next Wave Project, 1996-97.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts.  All rights reserved.
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SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

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ALTERNATIVE PHOTOGRAPHY

POPULAR POSTS

  • AUTUMNAL SHADOWS
    In this monochrome photographic print. Fallen leafs upon a wooden footpath the sun casts shadows from nearby trees and they dance and cr...
  • FREEZING DAY
    In this monochrome photographic print can be seen an Oak Tree. At a place known as 'Burton Bushes' I believe. One of the most co...
  • A DIFFERENT PERSPECTIVE
    Here you are, another example of how the simple act of chemical toning can change and alter a monochrome photographic print. The top photo...
  • BACK TO MONOCHROME
    Carrying on from the previous photographic post. This time it's back to monochrome, for this portrait. You will no doubt know if you...
  • DAY OF DAYS II
    Day of Days, now where does that title originate from? As far as I am concerned it comes from the brilliant TV Mini Series: 'Ban...
  • BATTLE OF BRITAIN MONUMENT
    A triptych of images of this splendid sculpture by the British Sculptor - Paul Day. It is a Memorial to all the Pilots who lost their life i...
  • ABBEY III
    In this monochrome photographic print you have another view of some of the remains of Fountains Abbey. Fountains Abbey, near Ripon, No...
  • CITY JUNCTION AT NIGHT
    The road junction on Alfred Gelder Street and Lowgate. The winter evening rush hour is well under way. Kingston upon Hull, East Yorkshire...
  • TRUNKS
    In this particular monochrome photographic print you can see several  tree trunks on this sloping piece of land. The Upper Derwent Val...
  • GETTING READY TO LAUNCH
    Members of the Royal National Lifeboat Institute's only full-time crew prepare to lower a boat that takes them out to the moored up RNL...

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TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."