FALLEN LEAFS

In this autumnal monochrome photographic print, fallen leafs and the sun cast shadows on a wooden boardwalk and earth.

The Humber Bridge Country Park, Hessle near Kingston upon Hull, North Humberside, England.

From no specific project as such, circa 1994.

PAINTING WITH DEV - THE FINAL ONE

As the title says, a final monochrome photographic print that was sprayed with developer and then sepia toned. See the two previous relevant posts for more details on this experimental technique and method.

Hull Community Artworks, Kingston upon Hull, North Humberside, England.

For a City & Guilds 9231 Certificate in Photography in the Image Derivation module, circa 1993.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

MORE PAINTING WITH DEV

Another example of painting with photographic paper developer. The concept was for a design for a Musician's Album Cover. For the Image Derivation module of a 9231 City and Guilds Certificate in Photography. The young man in the above studio portrait is the same person in the post of 19th January 2013.

Basically instead of fully immersing the exposed photographic print in the developing tray. You load up a water bottle (similar to those that you can purchase for watering flowers, with a trigger release) with a small solution of photographic paper developer. Then placing the print in a clean dry tray you just liberally spray the print with the solution. Then stop and fix as per normal.

Hull Community Artworks, Kingston upon Hull, North Humberside, England.

An experimental print for the above mentioned module and certificate, circa 1993.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

ANOTHER ZOOMED EXPOSURE

This monochrome photographic print was taken with my 70-210mm telephoto lens fitted to the camera. The camera was held in place by the clamp from my Cullmann Touring set. After the first timed exposure, the lens was moved by a fraction (and so on) until the exposure was completed.

From a foot bridge over the A63 (Clive Sullivan Way), Kingston upon Hull, East Yorkshire, England.

From no specific project as such. Experimental shot, circa 1997.

FALLS AGAIN

This time, this monochrome photographic print was sepia toned. It's virtually from the same spot as the previous post. But this one was taken in landscape format as opposed to portrait.

Aysgarth, North Yorkshire, England.

From no specific project as such. circa 1989.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

SELENIUM FALLS

A selenium toned monochrome photographic print of the River Ure and a section of Aysgarth Falls. The River Ure flows over a series of limestone steps which are known as Aysgarth Falls.

For more information about this specific location and the Yorkshire Dales just click onto: Falls.

Aysgarth, North Yorkshire, England.

From no specific project as such, circa 1989.

Copyright of all images displayed on this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

WHERE'S MY NUTS?

A grey squirrel in the process of just about to leave the Museum Gardens and venture onto the footpath by the River Ouse.

York, North Yorkshire, England.

From a City & Guilds 9231 Natural History module, which I never completed or handed in for assessment, circa 1994.

Copyright of all images displayed on this blog spot are the exclusive property of Trevor David Betts. All rights reserved.

CURVED LIGHT TRAILS

Taken from a footbridge over the A63 (Clive Sullivan Way). A timed long exposure which renders traffic lights as a constant blur/streak.

The A63, Kingston upon Hull, East Yorkshire, England.

From no specific project as such. An experimental shot, circa 1997.

Copyright of all images displayed on this blog spot are the exclusive property of Trevor David Betts. All rights reserved.