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No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Showing posts with label Monochrome. Show all posts
Showing posts with label Monochrome. Show all posts

Tuesday, 8 March 2016

NISSEN HUT


The detail in this monochrome photographic print is particularly good, showing the texture in the corrugated steel (the rust) and the old wooden window frame.

These buildings are becoming more and more rare. They originate from the First World War, where they were extensively used. Designed by an Officer of the Royal Engineer's, Nissen was his surname.

Near Lincoln, Lincolnshire, England.

From my Tree Stories Project, 2002-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Tuesday, 26 January 2016

CONVERGING ANGLES


In this monochrome photographic print the concrete sections of a foot bridge over a road can be seen, with the white and blurred lines of traffic speeding by below.

Foot Bridge over the A63/Clive Sullivan way, Kingston-upon-Hull, North Humberside, England.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Thursday, 14 January 2016

AND THEN THERE WAS A BLUE ONE ...


Another example of a monochrome photographic print changed/altered by toning it. In this case a blue toned one. This is a simple two bath wet process.

Kingston upon Hull, North Humberside, England.

From an assignment that I did for a National Diploma in Photography and Related Studies course, circa 1995/96.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Thursday, 23 April 2015

VARYING CONTRASTS


Shadows and shafts of sunlight bounce around in this monochrome photographic print.

Peak District, Derbyshire, England.

From my Tree Stories Project, 2002-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Saturday, 11 April 2015

THE CAUSE OF DEATH FOR MANY


In this monochrome photographic print, is an actual original section of the 'Death Railway' from Burma. Where the Japanese during WWII treated British, and other Allied POWs with utter contempt and cruelty, and used them has forced labour to build this railway line through thick jungle, which in turn resulted in the death of thousands of Allied POWs.

Now this is one thing that really cheeses me off , I normally don't get political or annoyed on here but this is one thing that really makes me fume. Because in my own humble opinion both the Japanese and British Government's have treated surviving British and Allied POWs with a total lack of respect, concern and indifference.

The Japanese government have never issued an apology for the way and manner in which the Japanese Imperial Army treated Allied POWs. Nor have the few dwindling POWs ever received compensation (from the Japanese).

The National Memorial Arboretum, Alrewas, near Lichfield, Staffordshire, England.

From my Tree Stories Project, 2002-.
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Tuesday, 31 March 2015

SUNLIGHT AND SHADOWS


In this monochrome photographic print are blobs of sunlight and shadows inside this Church. It's very appropriate at this time of year.

Church of St.Mary and St. Hardulph, Breedon on the Hill, Leicestershire, England.

From no specific project as such, circa 2008.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Wednesday, 25 March 2015

TREES/SUNLIGHT/STREAM BED


In this monochrome photographic print, is a stream (known as a Clough) in woodland.

The Upper Derwent Valley, Derbyshire, England.

From my Tree Stories Project, 2002-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Tuesday, 24 February 2015

TREE SHADOWS UPON THE STEPS


In this monochrome photographic print, a series of steps lead down to the beach.

Danes Dyke, Bridlington, East Yorkshire, England.

From my Tree Stories Project, 2002-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Friday, 16 January 2015

WATER FLOW


In this monochrome photographic print, the water from a stream flows over some rocks.

The Upper Derwent Valley, Derbyshire, England.

From no specific project as such.

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Saturday, 27 December 2014

SHADOWS ON THE STEPS


The summer afternoon sunshine creates shadows on these steps, in this monochrome photographic print.

Bridlington, East Yorkshire, England.

From my Traces from along the Edge Project, 2003-.

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Friday, 21 November 2014

GRASSES AND SAND DUNES



Mariam grasses and sand dunes in this monochrome photographic print.

Theddlethorpe, Lincolnshire, England.

From my Traces from along the Edge Project, 2003-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Wednesday, 22 October 2014

THE CO-OP PLOT 1-2-3


In this monochrome photographic series of prints, young saplings are featured in this plot at the National Memorial Arboretum.

The Co-op Plot at the National Memorial Arboretum, Alrewas, Staffordshire, England.

From my Tree Stories Project, 2002-.

Copyright of all photographic images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Sunday, 14 September 2014

THE ABBEY - 3 DIFFERENT ONE'S


A Triptych of monochrome photographic prints of this wonderful old place.

Fountains Abbey, Near Ripon, North Yorkshire, England.

From no specific project as such. Date not known.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Sunday, 3 August 2014

ROCKY BED


The rock and pebble strewn bed of this stream can be seen in this monochrome photographic print. Another rather peaceful and serene scene in The Peak District.

The Upper Derwent Valley, The Peak District, Derbyshire, England.

From my Tree Stories Project, 2002-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Thursday, 26 June 2014

RESTING PLACE


In this monochrome photographic print, is the final resting place for a number of WWII Luftwaffe air crews. This cemetery is located close to the former base of 617 Squadron of the RAF (The Dam Buster's). The 'Red Arrows' now call this base their home.

Scampton, Lincolnshire, England.

From no specific project as such, circa 2004.

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Wednesday, 18 June 2014

FACE IN TREE II


In this monochrome photographic print, you can clearly make out a face in the trunk of the tree on the right. Reminds me of something from 'The Lord of the Ring's.'

The Upper Derwent Valley, Derbyshire, England.

From my Tree Stories Project, 2002-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.


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Tuesday, 3 June 2014

GO WITH THE FLOW


Go with the flow. Water flows over rocks in this monochrome photographic print.

The Upper Derwent Valley, Derbyshire, England.

From no specific project as such.

Copyright of all of images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
 
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Wednesday, 28 May 2014

ABBEY III


In this monochrome photographic print you have another view of some of the remains of Fountains Abbey.

Fountains Abbey, near Ripon, North Yorkshire, England.

From no specific project as such.

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Sunday, 27 April 2014

ABBEY II


The superb architecture of this old abbey is shown clearly in this monochrome photographic print.

Fountains Abbey, near Ripon, North Yorkshire, England.

From no specific project as such.

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Wednesday, 16 April 2014

GRAIN AND TEXTURE


In this monochrome photographic print you can see very clearly the lovely grain of the wooden seat in contrast to the rough texture of the paving slabs.

The National Memorial Arboretum, Alrewas, near Lichfield, Staffordshire, England.

From my Tree Stories Project, 2002-.

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SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

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TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."