Monochrome film based photography from the portfolio of Trevor David Betts BA (Hons). With just a little colour photography and a few videos as well.
TRANSLATE
COPYRIGHT NOTICE
No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.
A POLITE REMINDER
If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.
Showing posts with label Trees. Show all posts
Showing posts with label Trees. Show all posts
Wednesday, 25 March 2015
Tuesday, 24 February 2015
TREE SHADOWS UPON THE STEPS
Tuesday, 13 January 2015
THE 'Y' IN THE DRY STONE WALL
A natural bend in a trees trunk looks like the letter 'Y' has the sun casts shadows onto a traditional Yorkshire dry stone wall.
Malham, The Yorkshire Dales, North Yorkshire, England.
From my Tree Stories Project, 2002-.
Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Monday, 27 October 2014
WINDOW - FRAMED
Silver Birch Trees are reflected in this modern office block windows and framed by the large metal window frames.
Europa House, Ferensway, Kingston upon Hull, East Yorkshire, England.
From my Tree Stories Project, 2002-.
Copyright of all photographic images displayed upon this blog are the exclusive property of Trevor David Betts. All rights reserved.
Thursday, 16 October 2014
Wednesday, 24 September 2014
ON THE EDGE OF THE MARINA
The shadows from some trees casts shadows onto the grass, close to Hull Marina.
Commercial Road, Kingston-upon-Hull, East Yorkshire, England.
From my Tree Stories Project, 2002-.
Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Thursday, 7 August 2014
'Y' TREES
Trees, a meandering stream and dry stone walls, can only mean one place - The Yorkshire Dales of course.
Malham, North Yorkshire, England.
From my Tree Stories Project, 2002-.
Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Wednesday, 14 May 2014
Saturday, 10 May 2014
Wednesday, 30 April 2014
NOW GONE II
A different perspective from the post of 18 April 2014. The now gone trees beside the old University of Lincoln building (now an Academy for Trinity House).
University of Lincoln (Hull Campus) Building, George Street, Kingston upon Hull, East Yorkshire, England.
From my Tree Stories Project, 2002-.
Copyright of all images displayed upon this blog are the exclusive property of Trevor David Betts. All rights reserved.
Friday, 18 April 2014
NOW GONE
The trees pictured here, have long gone. New and re-furbished buildings now occupy the land where these were once located.
The old University of Lincoln building, George Street, Kingston-upon-Hull, East Yorkshire, England.
From my Tree Stories Project, 2002-.
Copyright of all images displayed on this blog spot are the exclusive property right of Trevor David Betts. All rights reserved.
Sunday, 13 April 2014
Saturday, 29 March 2014
SILVER BIRCH TREES
Silver Birch Trees and plants gently sway to the rhythm of the wind as it weaves it's way through these woods. I think the white plants in the foreground and beyond, covering the wood floor are 'wild garlic.'
Millington Wood, Near Pocklington, East Yorkshire, England.
From my Tree Stories Project 2002-.
Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Saturday, 8 March 2014
WOODLAND AT DANE'S DYKE
Featured in this monochrome photographic print are trees and grass which have shadows cast upon them by the summer afternoon sunshine. A peaceful and serene scene in this Local Nature Reserve.
Dane's Dyke, Near Bridlington, East Yorkshire, England.
From my Tree Stories Project, 2003-.
Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Wednesday, 5 March 2014
ARBOREAL MOVEMENT
Featured in this monochrome photographic print is a drystone wall in the foreground, with trees in the middle distance moving in the wind.
Near Rosedale Abbey, Ryedale, North Yorkshire, England.
From my Tree Stories Project, 2002-.
Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Friday, 28 February 2014
Sunday, 13 January 2013
FRIAR TUCK
An actor taking on the role of Friar Tuck, during the annual "Sherwood Forest Festival."
Edwinstowe, Sherwood Forest, Nottinghamshire, England.
From my Tree Stories Project, 2002-.
Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Subscribe to:
Posts (Atom)
HELLO AND WELCOME
To my Photo Blog,
All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.
Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).
Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.
Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.
Also from time to time I will post videos that are of interest to me, mainly from my military background.
Yours sincerely
Trevor David Betts BA (Hons)
All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.
Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).
Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.
Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.
Also from time to time I will post videos that are of interest to me, mainly from my military background.
Yours sincerely
Trevor David Betts BA (Hons)
ABOUT ME
SEARCH THIS BLOG
MY BLOG FOLLOWERS
TOTAL PAGEVIEWS
ALTERNATIVE PHOTOGRAPHY
POPULAR POSTS
-
A dark grainy print which depicts a overcast windy day, amongst the sand dunes near the beach. Redcar, North Yorkshire, England. From my ...
-
Quotations about photography: "If I could tell the story in words, I wouldn't need to lug around a camera". Lewis Hine. ...
-
A different image of a young wild Owl that had been injured in a road traffic accident. The duty Vet is checking him/her over has the effec...
-
Just after some rain on a winter evening, the traffic lights are reflected in a puddle on the pavement, along with the wheel of a bicycle. ...
-
A dusk shot of the two domed structures that are located either side of the entrance to the Pier and Theatre. Cromer, Norfolk, England. ...
-
An early winter's evening shot of one of the several bridges that span the River Hull. This one is Drypool Bridge. Kingston upon Hull,...
-
Here you are something slightly different, in the sense that's it is just a tiny example of my colour photography. Newquay, Cornwall, ...
-
A letter of commendation to a British Soldier who fought for his country during the Second World War. This was kindly loaned to me by the wi...
-
A result of salt spray residue, a series of stone steps glisten in the cold November sunshine. Scarborough, North Yorkshire, England. Fr...
-
The Royal National Lifeboat Institute's Humber Lifeboat. Wheelhouse and tower. Alexandra Dock, Grimsby, South Humberside, England. F...
BLOG ARCHIVE
BLOG ROLL
LINKS
- http://www.5074bf29.cash4files.com
- http://www.nachofoto.com
- http://www.google.co.uk
- http:/www.ad.cnyes.com
- http://www.purebloggers.com
- http://www.roznica.com.ua
- http://www.adfoc.us
- http://www.verbalive.blogspot.com
- http://www.structuraldescent.blogspot.com
- http://www.txinstruments.com
- http://www.rdtdental.com
- http://www.domar.ru
- http://www.justforlaughsgags.tv
- http://www.777seo.com
- http://www.gothise.com
- http://www.bayareakicks.com
- http://www.bayareabags.com
- http://www.kareemskicks.com
- http://www.throwbackguy.com
- http://www.celebritysunglasses.com
- http://www.glassesonweb.com
- http://www.hp-ink-cartridges.org
- http://www.tipsandtrip.com
- http://www.bailbondsorangecounty.net
- http://www.shoemoney.com
- http://www.hisunglasses.com
- http://www.billschwab.com
- http://www.ilfordphoto.com
- http://www.choose-film.com
TECHNICAL INFORMATION
All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.
Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.
Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.
Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.
Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.
Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.
Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.
Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.
Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.
Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.
Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.
Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.
Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.
Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.
Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.
DON'T FORGET
"It is the soldier, not the minister, who has given us freedom of religion.
It is the soldier, not the lawyer, who has given us the right to fair protest.
It is the soldier, not the politician, who has given us freedom of speech.
It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."
From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."
It is the soldier, not the lawyer, who has given us the right to fair protest.
It is the soldier, not the politician, who has given us freedom of speech.
It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."
From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."










