Powered By Blogger

TRANSLATE

COPYRIGHT NOTICE

No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Wednesday, 30 November 2011

GERBERAS

Cut flowers in other words. I am not very good at recognising different species of plants and trees, but I do know that these are Gerberas. A straight forward photographic print just using available natural light.

Kingston-upon-Hull, East Yorkshire, England.

From no specific project as such.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Posted by at 3 comments:
Labels:

Wednesday, 23 November 2011

SEA DEFENCES AT HAPPISBURGH

Wooden groynes snake out into the sea from the beach. A this location on the Norfolk coast which is subjected to regular erosion.

Happisburgh, Norfolk, England.

From my Traces from along the Edge Project, 2003-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Posted by at No comments:
Labels:

Sunday, 20 November 2011

FENCED IN

A wooden picket style fence to hold marriam grasses and sand dunes in place is featured here in this monochrome photographic print.

Holy Island, Northumberland, England.

From my Traces from along the Edge, 2003-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Posted by at No comments:
Labels:

Saturday, 19 November 2011

MORE PEBBLES

From the same location. A slightly different perspective of pebbles (or stones) stuck in a wooden groyne.

Sandsend, North Yorkshire, England.

From my Traces from along the Edge Project, 2003-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Posted by at No comments:
Labels:

PEBBLES IN A GROYNE

With the shifting sands and tides, these stones or large pebbles have become logded in the gap between these two pieces of wooden groyne. A groyne is a man-made wooden structure that the Victorians invented has part of sea defences on British beaches and shores.

Sandsend, North Yorkshire, England.

From my Traces from along the Edge Project, 2003-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Posted by at No comments:
Labels:

Thursday, 17 November 2011

BRIDGE AT NIGHT

Drypool Bridge at night. The street lighting is reflected in the dark waters of the River Hull. This is just one of several bridges that cross this river and link East Hull with West Hull.

Drypool Bridge, Kingston upon Hull, East Yorkshire, England.

From no specific project as such.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.


Posted by at No comments:
Labels:

Friday, 11 November 2011

DON'T FORGET

From a personal perspective on the 11 November 2011 (11-11-11). Lest we forget, the following, who fell on operational service:

2nd BATTALION, THE ROYAL ANGLIAN REGIMENT
Private T. Anderson, 2nd Battalion of the Royal Anglian Regiment. 24 May 1982. Londonderry City Centre, Northern Ireland.
Major A. French, 2 Battalion of the Royal Anglian Regiment, British Army. 22 May 1986. Near Crossmaglen, South Armagh, Northern Ireland.
Private C. Davies, 2nd Battalion of the Royal Anglian Regiment. 9 July 1986. Near Crossmaglen, Northern Ireland.
Private M. Bertram, 2nd Battalion of the Royal Anglian Regiment. 9 July 1986. Near Crossmaglen, Northern Ireland.

BRITISH D-DAY AND NORMANDY VETERANS
Bob Thompson - Royal Military Police.
Ben Bainbridge - The RAF Regiment.
Alf Mellors - Royal Navy.
John Smith - Royal Navy.
Maxwell Vernon Hirst - East Yorkshire Regiment.
Len Pounder - Pioneer Corps.
Tom Lyons - Royal Army Medical Corps.
Phil Fisher - Coldstream Guards.
Len Wooldridge - Lincolnshire Regiment.

The four lads who fell in Northern Ireland, I personally knew two of them and Major French was the Officer Commanding the Rifle Company that I was attached to.

During the period 1998 - 2002 I undertook a major photographic documentary project with the surviving members of the Hull & District Branch of the Normandy Veterans Association. I got to know all those listed above who survived the horrors of WWII to fade away in old age.

It just seemed very appropriate to upload the above photograph and mention all those who have served their country (some who fell, others who survived but eventually faded away).

The above image is from my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Former 24296655 Cpl TD Betts. 2 Royal Anglian 1979-88.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
Posted by at No comments:
Labels:

Monday, 7 November 2011

LEST WE FORGET

A wreath for 'The Fallen'. From the French Resistance, on the 55th Anniversary of the D-Day Landings of 6 June 1944.

Arromanches, Normandy, France (June 1999).

From my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.


Posted by at No comments:
Labels:
Subscribe to: Posts (Atom)

SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

SEARCH THIS BLOG

VOTE FOR ME


Top Blogs

LISTED WITH THE FOLLOWING BLOG DIRECTORIES


photoblog-community

BlogFlux Tools

Blogorama - The Blog Directory



Photoblog


MY BLOG FOLLOWERS

TOTAL PAGEVIEWS

ALTERNATIVE PHOTOGRAPHY

POPULAR POSTS

  • INCOMING TIDE
    The incoming tide can be seen entering this cave. Time to move on. This monochrome photograph has been sepia toned. Just a note: if y...
  • ANGEL'S FEET
    This image is of a final resting place of someone in Undercliffe Cemetery. An old Victorian Cemetery (and Nature Reserve) which is the fina...
  • MRS & MR
    And another monochrome photograph. From the previous posts and event. Family event, 2015. Copyright of all images displayed upon thi...
  • DAY OF DAYS II
    Day of Days, now where does that title originate from? As far as I am concerned it comes from the brilliant TV Mini Series: 'Ban...
  • BATTLE OF BRITAIN MONUMENT
    A triptych of images of this splendid sculpture by the British Sculptor - Paul Day. It is a Memorial to all the Pilots who lost their life i...
  • ANOTHER ZOOMED EXPOSURE
    This monochrome photographic print was taken with my 70-210mm telephoto lens fitted to the camera. The camera was held in place by the c...
  • SUBMERGED BUNKER
    The remains of a former WWII German gun bunker is seen here on the beach. Near Asnelles, Normandy, France. From my The Normandy Veterans...
  • FLOWERS FOR THE FALLEN No.8
    This is the final set of images in this series. As per all the previous images, the first one consists of a scanned acetate which includes...
  • THE OVERGROWN GARDEN No.4
    The final monochrome photographic print from this particular series. Taken on a MPP large format camera on Ilford film. Kingston upon ...
  • MANY GEARS
    Another example of a multiple exposure, produced as always in the camera. This is a straight-forward monochrome photographic print. The act...

BLOG ARCHIVE

BLOG ROLL

TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."