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No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Saturday, 31 December 2011

WORLD WAR TWO STILL-LIFE STUDY

This studio still-life study features the following: The rear wheel of a Spitfire, a Soldier's pay book and completing the scene is some white lilies. It is a monochrome sepia toned print.

Kingston upon Hull, East Yorkshire, England.

From the final assignment for the Higher National Diploma (Design) Photography course I did at at Bradford & Ilkley Community College, 1998-2001. Also from my Remembrance Series Project, 2000-2002.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Friday, 30 December 2011

ARP 1939 ISSUE

This simply lit studio still-life features a genuine 1939 issue gas rattle. Very similar to the rattles that football fans used to use at matches in the 1940s to 1960s. Yellow tulips feature in this shot, which was only lit by candle light (no studio flash).

The sand represents the sand's of the D-Day Beaches. A monochrome photographic print which was sepia toned. You will find straight-forward monochrome (not toned) images of photographic prints from this series featured elsewhere on this blog.

Kingston upon Hull, East Yorkshire, England.

From my Remembrance Series Project, 2000-2002. The final assignment for the Higher National Diploma (Design) Photography course I was doing at Bradford & Ilkley Community College in 1998-2001.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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REMEMBRANCE TRIPTYCH



A triptych (set or series of three) monochrome photographic sepia toned prints. From a series exploring the act of remembrance in relation to certain species of flowers.

The first (top image) features a genuine British Infantry Helmet from WWII, a replica cricket/clicker (if you have ever seen the film: "The Longest Day," then you will know what this item was used for. A single red rose lays upon the sand.

The middle or second image features a photograph of six British soldiers having just arrived back at Paragon Railway Station in Hull after being rescued from the beaches of Dunkirk in 1940.  The documents featured are copies of a diagram of German Beach Defences etc for the period June 1944. White carnation flowers complete the scene.

The bottom and final photograph in this selection of images features a set of medals that belonged to a British Royal Army Medical Corps Soldier (his unit was one of the first to enter and liberate Belsen Concentration Camp in WWII). A yellow tulip completes this still-life scene.

Kingston upon Hull, East Yorkshire, England.

From the final assignment for a Higher National Diploma (Design) Photography course I did at Bradford & Ikley Community College, 1998-2001. The Remembrance Series, 2000-2002.

Please Note: All the ammunition featured in these images is dummy (not live) rounds.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Thursday, 29 December 2011

FROM MONTY...

A letter of commendation to a British Soldier who fought for his country during the Second World War. This was kindly loaned to me by the widow of this soldier for my Remembrance Series Project, which was the final assignment for the Higher National Diploma  (Design) Photography course I did at Bradford & Ilkley Community College, 1998-2001.

This project looked at the symbolism of certain species of flowers, in relation to the act of remembrance.
It is a monochrome photographic print at the 16 inch by 12 inch size, which was then sepia toned.

Kingston upon Hull, East Yorkshire, England.

From my Remembrance Series Project, 2000-2002.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Wednesday, 28 December 2011

THE FLYING SCOTSMAN ?

A different perspective. No, actually the wording on the carriage/coach side reads: "The Route of the Flying Scotsman." As everyone knows the Flying Scotsman was a legendary steam train. Along with the likes of the "Mallard" and many similar iron clad giants that used to roar up and down the train lines of the United Kingdom. Before "Doctor Beeching's" axe fell on the railways back in the 1960s.

Paragon Station, Kingston upon Hull, East Yorkshire, England.

From my Chasing Shadows Project, final assignment for a National Diploma Photography & Related Studies course that I did at Hull College, 1995-98.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Tuesday, 27 December 2011

THE TRAIN LEAVING PLATFORM 2...

A train getting ready to leave the Station. In this murky shot fumes can be seen rising from the train, which is just about to depart the platform.

Paragon Station, Kingston upon Hull, East Yorkshire, England.

From my Chasing Shadows Project, 1998. For an assignment for the National Diploma Photography & Related Studies course I was doing at Hull College.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Saturday, 24 December 2011

AND ANOTHER BLUE ONE...

This time its the glass doors entrance, with the distinctive logo. Another blue toned monochrome photographic print.

From a National Diploma Photography and Related Studies course assignment I did at Hull College, 1995-1998.

The Royal Armouries, Leeds, West Yorkshire, England.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Friday, 23 December 2011

BLUE TONED




A series of monochrome photographic prints that have had the blue tone treatment. This is a simple two bath chemical solution where the fully developed print is first immersed in a chemical solution (the blue toner). Then put into a simple salt/water solution. Before been properly washed and then dried. This series of blue toned prints just show you how relatively simple it is to change the whole tonal range and depth of a monochrome photographic print. You will find straight-forward monochrome prints of some of the images featured here, displayed elsewhere upon this blog spot.

The images featured here where taken on Ilford HP5 Film (rated at 400asa) using only available light, eg natural light coming in through the windows and artificial light (from the indoor lights). The camera was mounted upon a tripod to enable slower shutter and exposure speeds.

The Royal Armouries, Leeds, West Yorkshire, England.

From an assignment that I did for a National Diploma Photography and Related Studies course, 1995-1998. At Hull College, East Yorkshire, England.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

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TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."