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COPYRIGHT NOTICE

No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Saturday, 29 September 2012

AIRBORNE AVENUE


In this monochrome photographic print, this French Street is named in honour of the British 6th Airborne Division who landed by parachute and glider to take the bridges (including Pegasus Bridge) over the Orne and Caen Canals nearby in the early hours of D-Day. This is in the village of Ranville. There is a British Military Cemetery located here.

Ranville, Normandy, France.

From my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Wednesday, 26 September 2012

HUMBER STREET


Waiting for redevelopment the once busy Humber Street Fruit Market looks deserted in this monochrome photographic print.

The Humber Street Area, Kingston upon Hull, East Yorkshire, England.

From a personal project, 2007-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Friday, 21 September 2012

CROMER PIER


The tide ebbs and flows, comes and goes. At this popular East Anglian coastal town.

Cromer, Suffolk, England.

From my Traces from along the Edge Project, 2003-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Saturday, 15 September 2012

SHOW ROOM


Another monochrome photographic print from a course assignment that I did in a local Mercedes Car Show Room a few years ago.

Anlaby Road, Kingston upon Hull, East Yorkshire, England.

From an assignment I did for a National Diploma in Photography & Related Studies,1997.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Wednesday, 12 September 2012

TAKE THE WEIGHT OFF THOSE FEET


A wooden bench in tribute to a former British WWII Paratrooper from the 6th Airborne Division close to where he and his comrades landed in the early hours of 6th June 1944.

The Merville Battery, near Caen, Normandy, France.

From my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Tuesday, 11 September 2012

PLACE DU CANADA


A plaque on the exterior wall of this former German WWII Gun Bunker informs you that this place has a special significance. It's close to "JUNO" Beach, the landing area for Canadian Forces on the morning of 6th June 1944 - D Day.

Near St.Aubin-ser-mer, Normandy, France.

From my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Sunday, 9 September 2012

CAEN HARBOUR


A boat moored up in the Harbour. This is off the Orne Canal near the city centre.

Caen, Normandy, France.

From my The Normandy Veterans - Lest We Forget Project, 1998-2002.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Saturday, 8 September 2012

CINEMA DOORS


Sections of the sea front are reflected in the doors of this cinema. In this monochrome photographic print.

Scarborough, North Yorkshire, England.

From my Traces from along the Edge Project, 2002-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Tuesday, 4 September 2012

NO DIVING


A sign on the white painted fencing of the pier is prominent in this monochrome photographic print. This coastal town's street lights sparkle, like little diamonds in the distance as the sun set's on this fine summer evening.

Cromer, Norfolk, England.

From my Traces from along the Edge Project, 2002-.

Copyright of all images displayed on this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Monday, 3 September 2012

FROM THE BOW


A different view and perspective on the RNLI Humber Lifeboat. Here a crew member is cleaning down the deck on the bow of the boat. This type of work is carried out every six months in dry dock. The boat is given a thorough clean and wash down with the hull and keel given particular attention via a high power jet water spray to rid the hull and keel of any debris such has barnacles etc. Then the whole hull and keel is repainted with a special fast drying maritime paint.

In Dry-dock at Alexandra Dock, Grimsby, South Humberside, England.

From my In the Wake of the Bow Project, 1994-95.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Sunday, 2 September 2012

PERSPECTIVE


This monochrome photographic print gives a very good perspective from along this pier into the distance. One of the few remaining Victorian Piers on the English Coast.

Saltburn-by-the-sea, Cleveland, England.

From my Traces from along the Edge Project, 2003-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Saturday, 1 September 2012

CAPITAL LIGHT TRAILS


The Millennium Bridge with the dome of St. Paul's in the distance. If you have ever visited this landmark you will know that it is a real pain to take a timed exposure shot on the Bridge itself due to the movement of the suspension on this structure. It's like being on a trampoline. I should have spent more time in getting rid of some of the dust marks in this print though, however this is one problem that you face when producing darkroom originated monochrome prints. The light trails in question are someone riding a bicycle across the bridge.

The Millennium Bridge, London, England.

From no specific project as such.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

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POPULAR POSTS

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  • DAY OF DAYS II
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  • WALKING INTO THE SUNSET II
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TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."