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COPYRIGHT NOTICE

No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Friday, 22 February 2013

FALLEN LEAFS


In this autumnal monochrome photographic print, fallen leafs and the sun cast shadows on a wooden boardwalk and earth.

The Humber Bridge Country Park, Hessle near Kingston upon Hull, North Humberside, England.

From no specific project as such, circa 1994.
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Monday, 18 February 2013

PAINTING WITH DEV - THE FINAL ONE


As the title says, a final monochrome photographic print that was sprayed with developer and then sepia toned. See the two previous relevant posts for more details on this experimental technique and method.

Hull Community Artworks, Kingston upon Hull, North Humberside, England.

For a City & Guilds 9231 Certificate in Photography in the Image Derivation module, circa 1993.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Wednesday, 13 February 2013

MORE PAINTING WITH DEV


Another example of painting with photographic paper developer. The concept was for a design for a Musician's Album Cover. For the Image Derivation module of a 9231 City and Guilds Certificate in Photography. The young man in the above studio portrait is the same person in the post of 19th January 2013.

Basically instead of fully immersing the exposed photographic print in the developing tray. You load up a water bottle (similar to those that you can purchase for watering flowers, with a trigger release) with a small solution of photographic paper developer. Then placing the print in a clean dry tray you just liberally spray the print with the solution. Then stop and fix as per normal.

Hull Community Artworks, Kingston upon Hull, North Humberside, England.

An experimental print for the above mentioned module and certificate, circa 1993.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Monday, 11 February 2013

ANOTHER ZOOMED EXPOSURE


This monochrome photographic print was taken with my 70-210mm telephoto lens fitted to the camera. The camera was held in place by the clamp from my Cullmann Touring set. After the first timed exposure, the lens was moved by a fraction (and so on) until the exposure was completed.

From a foot bridge over the A63 (Clive Sullivan Way), Kingston upon Hull, East Yorkshire, England.

From no specific project as such. Experimental shot, circa 1997.
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Saturday, 9 February 2013

FALLS AGAIN


This time, this monochrome photographic print was sepia toned. It's virtually from the same spot as the previous post. But this one was taken in landscape format as opposed to portrait.

Aysgarth, North Yorkshire, England.

From no specific project as such. circa 1989.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Friday, 8 February 2013

SELENIUM FALLS


A selenium toned monochrome photographic print of the River Ure and a section of Aysgarth Falls. The River Ure flows over a series of limestone steps which are known as Aysgarth Falls.

For more information about this specific location and the Yorkshire Dales just click onto: Falls.

Aysgarth, North Yorkshire, England.

From no specific project as such, circa 1989.

Copyright of all images displayed on this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Monday, 4 February 2013

WHERE'S MY NUTS?


A grey squirrel in the process of just about to leave the Museum Gardens and venture onto the footpath by the River Ouse.

York, North Yorkshire, England.

From a City & Guilds 9231 Natural History module, which I never completed or handed in for assessment, circa 1994.

Copyright of all images displayed on this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Saturday, 2 February 2013

CURVED LIGHT TRAILS


Taken from a footbridge over the A63 (Clive Sullivan Way). A timed long exposure which renders traffic lights as a constant blur/streak.

The A63, Kingston upon Hull, East Yorkshire, England.

From no specific project as such. An experimental shot, circa 1997.

Copyright of all images displayed on this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
 
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SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

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POPULAR POSTS

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TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."