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COPYRIGHT NOTICE

No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Wednesday, 30 April 2014

NOW GONE II


A different perspective from the post of 18 April 2014. The now gone trees beside the old University of Lincoln building (now an Academy for Trinity House).

University of Lincoln (Hull Campus) Building, George Street, Kingston upon Hull, East Yorkshire, England.

From my Tree Stories Project, 2002-.

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Sunday, 27 April 2014

ABBEY II


The superb architecture of this old abbey is shown clearly in this monochrome photographic print.

Fountains Abbey, near Ripon, North Yorkshire, England.

From no specific project as such.

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Saturday, 26 April 2014

BRIDGE OVER THE BECK


Trees on the far bank are reflected in the water of Beverley Beck. Whilst unsightly urban graffiti almost covers must of the concrete support.

Beverley Beck, Beverley, East Yorkshire, England.

From my Tree Stories Project, 2002-.

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Monday, 21 April 2014

CIRCLES AND SWIRLS


The circular pattern and movement of this trees branches align themselves with each other.

Charlotte Street Mews, Kingston-upon-Hull, East Yorkshire, England.

From my Tree Stories Project, 2002-.

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Sunday, 20 April 2014

CLUMBER PARK


Tree roots at Clumber Park.

Clumber Park, Near Ollerton, Nottinghamshire, England.

From my Tree Stories Project, 2002-.

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Saturday, 19 April 2014

BY THE LAKE


In this monochrome photographic print is a tree by the lake. At this well-known
East Riding venue. Water lilies abound in the water.

Burnby Hall & Gardens, Pocklington, East Yorkshire, England.

From my Tree Stories Project, 2002-.

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Friday, 18 April 2014

NOW GONE


The trees pictured here, have long gone. New and re-furbished buildings now occupy the land where these were once located.

The old University of Lincoln building, George Street, Kingston-upon-Hull, East Yorkshire, England.

From my Tree Stories Project, 2002-.

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Wednesday, 16 April 2014

GRAIN AND TEXTURE


In this monochrome photographic print you can see very clearly the lovely grain of the wooden seat in contrast to the rough texture of the paving slabs.

The National Memorial Arboretum, Alrewas, near Lichfield, Staffordshire, England.

From my Tree Stories Project, 2002-.

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Sunday, 13 April 2014

FAST FLOW

In this monochrome photographic print the water swirls about at a fast flow. whilst trees remain a silent witness to nature's beauty.

Near Rosedale Abbey, North Yorkshire, England.

From my Tree Stories Project, 2002-.
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Sunday, 6 April 2014

PATH INTO THE CLOUDS


A steep path leads you alongside the ferns and grass bank, to a small wood, whose trees seem to reach for the clouds.

The Lower Derwent Valley, Derbyshire, England.

From my Tree Stories Project, 2002-.

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Saturday, 5 April 2014

UNDER THE SHADE OF AN OLD OAK TREE


In this monochrome photographic print, shade is found under an old Oak tree.

Brantingham, East Yorkshire, England.

From my Tree Stories Project, 2002-.

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THE SAME LOCATION, BUT A DIFFERENT PERSPECTIVE


The same location, but a different perspective. First Landscape then Portrait format/angle.

Woodland at Dane's Dyke, near Bridlington, East Yorkshire, England.

From my Tree Stories Project, 2002-.

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SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

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POPULAR POSTS

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TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."