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COPYRIGHT NOTICE

No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Saturday, 26 July 2014

BETWEEN A ROCK AND AN HARD PLACE


Silver Birch trees (between a rock and an hard place). The rocks from this area of the Peak District used to be made into mill stones to grind the grain in flour mills.

Near Hathersage, Derbyshire, England.

From my Tree Stories Project, 2002-.

Copyright of all images displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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Friday, 25 July 2014

DARK SKIES


The dark skies in question are over the Gibraltar Point National Nature Reserve, and the River Steeping where these boats are moored up. Sadly the Visitors Centre was very badly damaged by floods in December 2013. On the East Coast just south of Skegness.

The River Steeping at Gibraltar Point near Skegness, Lincolnshire, England.

From my Traces from along the Edge Project, 2002-.

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Sunday, 20 July 2014

'Y'


In the beautiful Yorkshire Dales, the sun casts a Y shadow of a tree onto the traditional stone wall close to where you cross a stream, and follow the public right of way up to Malham Cove.

Near Malham, North Yorkshire, England.

From my Tree Stories Project, 2002-.

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Saturday, 19 July 2014

GALLEON


A sea front fun-ride, photographed through a murky opaque screen.

Bridlington, East Yorkshire, England.

From my Traces from along the Edge Project, 2002-.

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Sunday, 13 July 2014

FREEZING DAY


In this monochrome photographic print can be seen an Oak Tree. At a place known as 'Burton Bushes' I believe. One of the most coldest day's that I have ever ventured out to take photographs (freezing).

Beverley Westwood, Beverley, East Yorkshire, England.

From my Tree Stories Project, 2002-.

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Thursday, 3 July 2014

SAND DUNES AT REDCAR


Foot prints in the sand. Mariam grasses in the far distance. The full texture of the sand dunes comes through in this monochrome photographic print. This was one of the locations for the film: 'Atonement.'

Redcar, Cleveland, England.

From my Traces from along the Edge Project, 2003-.

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SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

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POPULAR POSTS

  • INCOMING TIDE
    The incoming tide can be seen entering this cave. Time to move on. This monochrome photograph has been sepia toned. Just a note: if y...
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    This image is of a final resting place of someone in Undercliffe Cemetery. An old Victorian Cemetery (and Nature Reserve) which is the fina...
  • MRS & MR
    And another monochrome photograph. From the previous posts and event. Family event, 2015. Copyright of all images displayed upon thi...
  • DAY OF DAYS II
    Day of Days, now where does that title originate from? As far as I am concerned it comes from the brilliant TV Mini Series: 'Ban...
  • BATTLE OF BRITAIN MONUMENT
    A triptych of images of this splendid sculpture by the British Sculptor - Paul Day. It is a Memorial to all the Pilots who lost their life i...
  • ANOTHER ZOOMED EXPOSURE
    This monochrome photographic print was taken with my 70-210mm telephoto lens fitted to the camera. The camera was held in place by the c...
  • SUBMERGED BUNKER
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  • FLOWERS FOR THE FALLEN No.8
    This is the final set of images in this series. As per all the previous images, the first one consists of a scanned acetate which includes...
  • THE OVERGROWN GARDEN No.4
    The final monochrome photographic print from this particular series. Taken on a MPP large format camera on Ilford film. Kingston upon ...
  • MANY GEARS
    Another example of a multiple exposure, produced as always in the camera. This is a straight-forward monochrome photographic print. The act...

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TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."