SLIDESHOW

Tuesday, 20 October 2009

NOTICEBOARD

BEACH BAN

A photographer told by a council official he was not allowed to take pictures on a Dorset beach without a permit - because of a new 'bylaw' - is taking the matter up with politicians. Speaking to AP, Steve Cook fears the rule will hit wedding photographers who regularly use the beaches for their work.

It has also emerged that photographers must seek permission from Poole Council before taking 'commercial photographs on council-owned land'. The council says photographers also need to prove they have 'public liability insurance'.

Steve Cook had being taking photographs on the Sandbanks Beach for a charity project when a council warden stopped him. He displayed a photo rights card issued last year by the Bureau of Freelance Photographers, but to no avail.

Amid reports that a commercial photography permit is also now required for the borough's 'public highways', the incensed photographer promptly wrote to the council chiefs and local MP, Annette Brooke and Robert Syms. In the letter seen by AP, Cook blasts the move as 'petty officialdom'. He adds: 'Originally I was told that it was a Poole bylaw, now it just seems that there is a secret (that is, no one knows about it) directive that all professional photographers need a permit to take photographs in the Borough of Poole, including pavements and public highways.

'Not only is this blatantly an infringement of civil liberties, going against Home Office and Number 10 advice, but it is totally unworkable. 'I would need in excess of 20-30 permits a week to carry out my work (as would most other pro photographers). Cook has called for an end to the 'outrageous restrictions on the 'livelihood and civil liberties of all professional photographers'.

Poole Council admits that the warden was 'incorrect' in telling Cook that the move was the result of a new bylaw. In a statement, a council official spokesman added: 'While we are keen to promote our beaches and other locations in Poole for this purpose, we must also balance this with the interests of other beach users and our duty to ensure public safety.'

The council later told AP that the requirement for permission and proof of public liability insurance is also designed to protect the privacy of children. This incident is the latest in a long line of clashes between photographers and officialdom over the past couple of years, sparking AP's nationwide campaign to defend the rights of photographers in public places.


From an article in Amateur Photographer magazine on the 'Snapshot' page column of the 24 October 2009 issue.

0 comments:

Post a Comment

TECHNICAL INFORMATION

The majority of the images featured on this blog spot were taken on Canon analog 35mm SLR cameras including the following models: Canon A1, Canon AE1 (non-programme) and Canon T90. As such I presently have three T90s and an assortment of Canon FD lens.

The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 was never the same after some idiot drove over my camera bag.

Canon FD lenses used include: 28 and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a Mamiya 645 with 50 and 80mm lenses. The favourite combination for me is a T90 fitted with the 35-105mm lens with an orange filter.

Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A set of three Hoya Close-up filters (+ 1, 2 and 4). Canon remote cable.

I also have a lovely old Metz 45CT flashgun (you just cannot beat this make and model of flashgun if you ask me). I might have used this for the bounced flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (usually just two heads) at Hull Community Artworks studio. Billingham and Oyster camera bags (the Billingham is a old model that I have had for years - lovely bags. The Oyster one is a backpack type bag).

Slik Black Diamond 88 and 500 DX Pro tripods. A Cullmann touring set.

Film used was 35mm with some 120mm. Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa.

Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted to the tripod, with the shutter set to the 10 second delay. I also tend to bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F8 and F22. In the vast majority of cases the very first exposure or shot I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed) and usually at the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner in Adope Photoshop CS2 at the 5.5 x 3.5 inch size at 150 dpi and 750 x 550 pixels size and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.