Powered By Blogger

TRANSLATE

COPYRIGHT NOTICE

No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

A POLITE REMINDER

If you want to use any of my photographs displayed upon this blog, for inclusion in an essay, presentation, talk, or for posting on your blog or web site. Or for use in any other way or means. Then it would be very much appreciated if you could contact me first (as a matter of courtesy and decency) to seek my permission to use any of my photographs. Failure to do so is breach of my copyright and rights.





Saturday, 25 April 2009

BRAIN DAMAGE


A still-life study using various purchased items and mirror tiles to photographically reproduce the track/song 'Brain Damage' by Pink Floyd from the classic album Dark Side of the Moon.

For the Constructed Images module, City and Guilds photography, 1992.

Copyright of all images and work displayed on this blog spot are the exclusive propert of Trevor David Betts. All rights reserved.
Posted by at
Labels:

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)

SLIDE SHOW

HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

Click onto the links in some of my posts which will then take you to the relevant website link where you will be able to find out more about that location, charity or organisation etc featured in the post and which is relevant to that specific image.

Also please click onto my links. Join my blog and my Google + followers. If you would like to know more about any particular photograph or project then please send me an email. My email address is at the foot of this page.

Also from time to time I will post videos that are of interest to me, mainly from my military background.

Yours sincerely

Trevor David Betts BA (Hons)

SEARCH THIS BLOG

VOTE FOR ME


Top Blogs

LISTED WITH THE FOLLOWING BLOG DIRECTORIES


photoblog-community

BlogFlux Tools

Blogorama - The Blog Directory



Photoblog


MY BLOG FOLLOWERS

TOTAL PAGEVIEWS

ALTERNATIVE PHOTOGRAPHY

POPULAR POSTS

  • SWING BRIDGE
    An old Swing Bridge is in the foreground of this shot. With the boat's from the "Round the World Clipper Race", moored up in ...
  • CHAIR
    Now I should not imagine that this piece of garden furniture has washed up here. This discarded item sits in front of a collection of concr...
  • REFLECTIONS IN THE WATER
    The sun highlights some reeds on a small lake.  With the woods in the background. Willoughby Woods, Market Rasen, Lincolnshire, England. ...
  • BARK DETAIL
    Detail of the bark on a silver birch tree. Kingston upon Hull, East Yorkshire, England. From no specific project as such, circa 1993-94....
  • 1939 ISSUE
    A still-life study, shot in the studio. Consisting of a loaned original 1939 issue Air Raid Precautions gas rattle with yellow tulips. Lit...
  • SHOT AT DAWN III
    Another very evocative and poignant photograph from this plot at the National Memorial Arboretum. The Shot at Dawn Plot is a memorial to...
  • FROZEN IN TIME
    A reflection of a tree in a frozen lake. The National Forest, Staffordshire, England. From my Tree Stories Project, 2003-. Copyright o...
  • TACK TRADER
    This mature gent is a Tack Trader selling saddles and all manner of horse related merchandise from the back of his Horse Box. Brigg Hors...
  • NOTICE BOARD
    GREAT PHOTOGRAPHER STORY I t was in the summer of either 1982 or '83 that a friend and I attended a pop concert in London. We then stay...
  • SAND HOLE SCULPTURE
    This unique natural pattern I came across whilst out photographing at Redcar. I think it must have been a combination of moisture and wind ...

BLOG ARCHIVE

BLOG ROLL

TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."