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No photograph that is displayed and posted on this blog may be reproduced, copied, stored, manipulated or used in whole or in part of a derivative work without the prior written permission of the Copyright (c) Owner & Photographer: Trevor David Betts BA (Hons). All rights reserved.

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Saturday, 8 August 2009

LONDON PLANE TREES

Traffic light trails and street lighting illuminates two well established and mature London Plane trees at rush hour.

Anlaby Road, Kingston upon Hull, East Yorkshire, England.

From the Tree Stories Project, 2003 -.

Copyright of all images and work displayed upon this blog spot are the exclusive property of Trevor David Betts. All rights reserved.
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5 comments:

  1. GulfGal10 August 2009 at 12:30

    Trevor,
    I like your photography very much!
    The AE-1 was a great camera in the Canon line.
    I've had that one as well as the Olympus OM-1,Minolta XG7,Nikon N65, RB-67,the Canon Rebel and presently the Canon XT digital.
    I enjoy black and white photography--it has more emotional impact, I think.
    Good day...

    ReplyDelete
  2. Unknown10 August 2009 at 16:58

    Thank you GulfGal.

    I have to agree with you there the AE-1 was/is a great little camera. Most modern cameras are, I guess you just get used to one particular one, make or model.

    I have always used and stuck with Canon. Yes again I have to agree with you there is something about black and white, more soul, depth and feeling to it perhaps.

    A Good day to you as well.

    ReplyDelete
  3. J Adamthwaite15 August 2009 at 10:54

    I love this picture. I love the movement in it and the clarity. I like the sense of consistency when all around is changeable.

    ReplyDelete
  4. Unknown15 August 2009 at 18:30

    It's surprising that we all tend to not notice that which is in front of us on a daily basis.

    These two trees have being here for as long as I can remember. They are established, and part of the urban landscape (just hope no bugger comes along and cuts them down).

    They provide the consistency that you mention JA. I think that a great deal of living and breathing objects such as trees take on a totally different perspective when photographed at night.

    ReplyDelete
  5. J Adamthwaite16 August 2009 at 22:13

    They look almost ethereal. You get the sense that anything could happen around them and they would still stand there... as long as, as you say, no one decides to cut them down.

    ReplyDelete

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HELLO AND WELCOME

To my Photo Blog,

All my monochrome photography is darkroom produced. This portfolio consists of photographs from several of my projects, assignments, personal and course related work. Some of these monochrome photographic prints are then selectively toned.

Take a look at the slide show, or the popular posts. Click onto some of the many excellent blogs that I have listed in my blog roll. I welcome constructive feedback (post a comment).

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Trevor David Betts BA (Hons)

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TECHNICAL INFORMATION

All the photographs featured on this blog spot were taken on Canon analog 35mm SLR cameras which included: Canon A1, Canon AE1 (non-programme) and Canon T90. The Canon A1 was rendered useless after prolonged exposure to salt spray residue, and the AE1 suffered a malfunction, and one of my T90s just packed up on me during a photographic shoot.

Most of my camera equipment was initially purchased brand new, then as the years have past I have purchased second-hand equipment. But the vast majority of equipment I currently possess is well over twenty years old.

Canon FD lenses used were: 28, and 35mm wide angle, 50mm standard, 35-105mm short telephoto zoom and a 70-210mm large telephoto zoom lenses. Also used was a loaned Mamiya 645 with 50 and 80mm lenses. My favourite combination is a T90 fitted with the 35-105mm lens with an Hoya orange filter. I use Hoya orange, red, neutral density, and skylight filters. Hoya and Canon lens hoods. A Canon remote cable. I have used a great Metz 45 CT-4 flashgun for many years. I used this for the bounced and fill-in flash for some of the documentary and portraiture work.

Studio flash used was Courtenay brolly flash (just two heads fitted with soft boxes) at Hull Community Artworks studio (sadly this excellent local arts facility closed in 2001). Billingham and Tamrac camera bags (the Billingham is a old model that I have had for years - wonderful bags). The Tamrac one is a medium sized back pack type bag. Slik Black Diamond 88, and 500 DX Pro tripods. A Cullmann touring set (which consists of a light tripod, ball and swivel head, all-purpose clamp, suction cap, and a ground spike). I presently have three Canon T90 and one A1 SLR cameras.

Film used was mainly 35mm (with some 120mm). Ilford Delta monochrome negative print film, 100 asa (a few rolls of 400 asa as well). Ilford HP5 and FP4 (400 and 125 asa respectively). Fuji Neopan 400 asa. Various Fuji colour film. Photographic chemicals: Ilford ID-11 and Microphen film developers. Agfa Rodinal fine grain film developer, and Ilford Hypam fixer.

Photographic paper: Ilford Multigrade IV VC paper, Fibre based VC paper including warm and cool tone. Kentmere Velvet Stipple and Art Document papers. Kodak selenium toner. Barclay and Fotospeed sepia toners, and Colorvir blue toner. Durst M60 and Meopta 5 enlargers fitted with 50 and 80mm Schneider lenses. Kenro negative sheets and Jessops negative folders.

Most of my photography involves the use of the camera being securely mounted onto the tripod, with the shutter set to the 10 second delay. I bracket my exposures (relying on the excellent Canon in-camera meter). My aperture settings are usually between F5.6 and F22. In the vast majority of cases the very first exposure I take is usually the correctly exposed one.

Finished photographic prints (spotted if needed). At the 10 x 8 inch size are then scanned on an Epsom 1660 photo perfection scanner using Adope Photoshop CS2 at the 5.5 x 3.5 inch image or canvas size, 150 dpi and at the 750 x 550 pixels size, and saved as for the web. The only thing that is manipulated is the brightness balance and contrast levels.

DON'T FORGET

"It is the soldier, not the minister, who has given us freedom of religion.

It is the soldier, not the lawyer, who has given us the right to fair protest.

It is the soldier, not the politician, who has given us freedom of speech.

It is the soldier, whose coffin is draped by the flag, who allows the protester to burn the flag."

From: "Fighting for Queen and Country,
by Nigel 'Spud' Ely. Blake Publishing London, 2007."